As soon as I graduated high school, my father suddenly expected me to go to college—a word he had never once mentioned before, nor had he ever shown interest in my grades. It wasn’t surprising that I had my own plan: I wanted to become a professional boxer. That dream lasted until the night I met Rocky Graziano and Jake LaMotta. I had fought in the New York Golden Gloves and had been fighting for the past three years. My whole life was fighting. However, spending just one evening with my boxing heroes was enough to show me that boxing would waste my potential. I admired what they had done for Italian Americans, but their words and outlook turned me off. They were tough, yes, but not high-thinking men. Still, I couldn’t help noting how LaMotta lived well into his 90s in excellent shape, body, and mind.
Realizing boxing wasn’t my path left me scrambling for direction. I was finishing high school with poor grades, working at a grocery store, and feeling like my options were shrinking. But as life often does, it opened unexpected doors. I started revisiting my hippie parents’ music—The Rolling Stones, The Doors—just as punk rock was exploding in my neighborhood. At the same time, I experimented with drugs that expanded my consciousness, and once I had rejected boxing, it was as if my mind suddenly became thirsty for everything I had missed as a poor student. I read voraciously, diving into literature, art, and philosophy.
When my friends started at community college, I tagged along. One visit to the art school there hit me like lightning: this was where I belonged. I applied immediately and was accepted the next semester. In art, I discovered the part of myself I had buried while busy fighting. It was my soul yearning for expression, and I dove in without hesitation.
The lesson I took away from this was the importance of courage. In America today, we glorify Special Forces as the ultimate symbol of courage. At the same time, we’ve systematically devalued artists—sometimes justly, given the excesses of the music industry, but often unfairly. Life is always a tug-of-war between two broad paths: Apollo, the god of order, structure, discipline, and Dionysus, the god of chaos, art, and intoxication. For years, the rock star—Dionysus—was the cultural ideal, until the decadence, drugs, and self-destruction of that image pushed society to swing back toward Apollo: military fitness, warrior order, discipline. That swing isn’t necessarily bad, but America has a habit of throwing the baby out with the bathwater.
When times got rough in my own life, I, too, threw myself into Apollo’s camp, becoming a warrior. But eventually I realized that path was intellectually and creatively narrow. My soul kept calling me back to Dionysus. Like many people, I carry both within me—maybe too much of both—and reconciling them isn’t easy.
The punk rock movement was crucial for me. At a time when high school graduation forces you into choices, punk declared that all choices were meaningless, a liberating starting point. From there, I built a framework of meaning by looking to evolution and primitive cultures. What mattered to early humans—art, hunting, family, fighting—must be inherently human. That became my criteria for value. This perspective led me into woodcarving, tai chi, meditation, martial arts, cooking, and nutrition. These became the foundations of the life I’ve built—simple, rooted, and guided through the modern cacophony.
Society often seeks placeholders for meaning. For many, religion fills that role. In America, college has become another placeholder: a socially approved symbol that reassures others you are on the “right path.” Many people don’t want to wrestle with what’s truly valuable—they just want the security of what society values in the moment, and they project that onto you.
But ultimately, life is about balancing expectations: your own and those of others. To survive, you must demonstrate value to those who hold resources, whether in services or goods. Sometimes that’s noble, sometimes it bends toward vice. Either way, the challenge is to carve your own path between Apollo and Dionysus, between survival and expression, between order and chaos. That’s what I learned when I changed paths.