Spiraling Patterns in Tai Chi (Notes from class on 9/17/19)

Yesterday in class, I discussed thigh rotation during Tai Chi movements. In the illustration from Chen Style Tai Chi, it depicts how your body should coil during most movements.

One exercise I use in my warm-ups is the reverse punch (Seen in the illustration below). Many people think the reverse punch is obsolete and a waste of time. However, they miss an important point, it is not directly for fighting but for training the body to coil, which is storing and releasing power. 

In fact, most of the reason why Tai Chi is performed slowly is to understand how this spiraling force is transmitted from one part of the body to the other without having gaps or hiccups, which can be exploited by an external force. This slow spiral movement also "ties" up the joints to protect them by keeping them aligned.
This is why Tai Chi is particularly good for balance, because it develops a counter spiral which "locks" the body into a stable structure. The lines in the Chen Style illustration show how force moves through the body, and of course, it is a spiraling motion, which follow patterns found in most organic structures because we live in a spiral universe and on a rotating planet.

When performing the reverse punch over time you will see every part of your body from your feet to your hands embodying a spiraling motion.  

Between Postures: Where the Gold in Tai Chi Is Mined!

 Every so often during practice I will have an epiphany about some aspect of the Tai Chi form or a particular movement within.  When it happens I feel like I have gotten closer to uncovering the mysteries of Tai Chi. As I continue to explore an epiphany I soon realize that it has already been thoroughly explained in Yang Cheng Fu’s 10 Important Points. This week was no different. In the past few classes, we had been working on the gap/transitions between Tai Chi postures, particularly from Single Whip to Wave Hands Like Clouds but it is in all transitions. Often someone learning Tai Chi will automatically go from one move to the other will little thought or activation put into the transition, thus creating a gap in their structure. Specifically, Yang Cheng Fu expounded upon my epiphany in number 8 and number 9 of his 10 Important Points. Number 8 discusses the importance of harmony between the internal and external parts and number 9 discusses the importance of continuity while going from one posture to the next.

Single Whip

What separates Tai Chi from other exercise routines is once the form has begun the training is the transition from one posture to the other seamlessly. I have found understanding the martial aspects helps focus your attention on those transitions because transitions or gaps are vulnerabilities. In analyzing transitions in the Tai Chi form there are two basic categories. Hand transitions (moving from one side to the other or raising one high and one low) and stepping transitions.

Hand Transitions

Two postures that make a great example are Single Whip to Wave Hands Like Clouds. When you strike with your left hand/forearm (at the 12:00 o’clock) position in Single Whip, your right hand is extended outwards perpendicular to your left, creating a right angle (at the 3:00 position). As soon as you have reached the apex of that left hand strike (12 o’clock position otherwise known as absolute yang), your energy should slowly dissipate from the left hand (and start moving toward yin), as you sense an attack coming at your 4:00 o’clock position. So you begin to rotate your body to face that attack. Your right hand becomes activated and dominant (now yang) while your left comes to support the right, which begins the Wave Hands Like Clouds sequence.

The beginning of Wave Hands Like Clouds

Stepping Transitions

When moving from one posture to another you are transferring weight from one leg to the other, as you propel forward. During most Tai Chi movements there is a point where you must place 100% of one’s weight on one leg as you step. In the form, we practice weight transfer extremely slow to develop strength and stability.

We analyzed our stability when changing hand positions, but how strong are we when taking a step? The answer to this requires a two-part response. First, you would ONLY enter when you see a gap in your opponent’s defenses, and secondly, when you do see that opening you must do it swiftly, like a hawk seizing a rabbit.

To discuss entering it is important to tie it in with my boxing days. Entering is a lesson learned the hard way and it was ingrained upon me in two ways. In that awkward period when you are first learning to fight and you try to get close enough to punch someone, you quickly realize that you are also able to get hit. A lot of fear is generated and leads to stopping you from moving. You want to end the encounter, but you have to enter to do it which exposes you to a counter attack and harm. Many boxers, myself included, were told to never cross legs when moving, because you may get hit when doing so and your base will collapse, resulting in a knock down at the very least.

The important aspect of Tai Chi that is often overlooked is timing, because many Tai Chi people have never had to fight. A good example to understand timing is jumping rope; to jump over the rope at the exact time the rope should be right in front of your toes. If you jump too soon, you will land before the rope passes and if you jump too late you will get hit by the rope. In a self defense situation, the movements are hyper dynamic and the attacker doesn’t follow the rhythms of the form. It is those rhythms of entering either to the outside or the inside and look for openings with a decreased chance of getting hit while doing so. It is that “beat” which needs to seamlessly change with weight transitions. A true self defense or combative training session will work more on the timing of entering than memorization of a choreographed routine.

Transitions are where the gold of Tai Chi is mined. With training, anyone can assume a posture or stance but to carry the mindful focus of the dan tian and using the kua to transfer energy from one part of your body to other takes real concentration and effort. This is why Yang Cheng Fu includes continuity in transitions in his ten important points. It is also why I included his 8th point, “harmony between the internal and external parts”. You can’t transition if you have no smooth energy flow from the right to the left side of your body, nor can it flow if internal and external parts are not in harmony. Working on that harmony is the gold of Tai Chi, it is the neija or internal work that needs to be worked on to grow.

In sum, the form is a great general training tool but it will not fully prepare you for a dynamic encounter either with an opponent or in life situations that could arise. If you include mindful transitions into your form it will help you understand the need to focus and place attention on weaknesses in your form. It will inspire you to incorporate transitions and timing drills into your practice.